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Shige Ohashi’s Firing Philosophy

Shige inside loaded Anagama kiln
Shige Ohashi

Prior to his return to Japan in 2016, Shige Ohashi was the principal firing master for most of the firings.  A very able teacher, Shige gave freely of his knowledge, experience and anagama philosophy.   Anticipating his return, he actively recruited and mentored people to assume responsibility for loading and firing the kiln, in order to reduce the club’s dependence on him.

 

Shige developed a philosophy about such firings which greatly influenced those involved.  The main elements of his philosophy were included in an article “Thoughts on the Anagama Firing” published in the August 2012 edition of the Wellington Potters Association’s newsletter:

Prologue
‘Inevitability’, ‘Accident’ and ‘Time’. These are my favourite key words. Nature and Life on the Earth were born from these key words. If I could feel them in something, it would touch my heart. Anagama firing may give it to me, although it is very, very small compared with happenings in the universe.

Loading
I will load each piece as to get good ‘Inevitable’ results of the firing on it as much as possible. When I put a piece on a shelf, I imagine how the flame flows and how much wood ash the flame contains.  The pieces on the shelves are decorated with the flame and ashes, or shadow of other pieces.
At completion of the loading, the Anagama firing is over 50% done.

Firing
it’s a fun time. Things we can do are not so many. Stoke pieces of firewood believing in the power of the Anagama kiln for about 100 hours. If you believe in the kiln, it may give us a beautiful ‘Accident’.

A time of 100 hours is long. During stoking firewood, we not only increase the temperature, but also make up the natural glaze with wood ashes and apply it on the pieces little by little. It’s Time.

We can’t control everything happening in the kiln. I want to have the kiln fire our pieces without human’s petty thinking. However, we have to feed the energy of the firewood to the kiln effectively. We need to understand the current situation/condition of the kiln. Sitting just before the kiln, listen to the kiln and communicate with the kiln. It’s a delightful time.

Expectation of your piece
Do not expect a good result on your piece. Such expectation will disappoint you. The results on your piece will never be like what you expect. Please expect the unexpected. Please try to find a beautiful face on your piece after the firing. Your piece had been standing in the massive flame for 100 hours long. It must give us good hints for the next firing.”